Space Post

jean-luc-gohard:

The most dangerous thing society teaches boys and men, especially white boys and men, is that their emotions are objective logic and reason and that anyone who disagrees is being irrational.

Space Post
dynastylnoire:

imsoshive:

Seriously …

THIS IS AN ABOMINATION

dynastylnoire:

imsoshive:

Seriously …

THIS IS AN ABOMINATION

Space Post

vintae:

ミニチュア実体化「リラックマチョコパイ」 (by bonobos25)

Space Post
Space Post

coyotelips:

badbilliejean:

dan-and-his-hormones:

Ferguson police are being sued for $40mil, +++ some of the officers are facing individual lawsuits for rights infringement. fucking break those cops. 

!!!!!!!!!!!!!!!!!!

this is some of the best news I’ve had in days and I want you to be excited about it too

Space Post
Ratchet is a racialized term. So is ghetto. So is thug. So is welfare queen. Someone does not have to EXPLICITLY say the word “black” in order for something to be racist against black people. Speaking in flagrantly racist terms is one of the least sophisticated manifestations of racism today.
TemperedFury on Philip DeFranco’s, creator of the YouTube channel Philly D, use of racialized language.  (via eliaes)
Space Post

snackdick:

rydenarmani:

i don’t even know what i’m doing with my time anymore but hey heres the magic the gathering butt cracks guy and hes gonna bless ur blog

thanks

Space Post

themidwifeisin:

Buy these posters and find more from the amazing Repeal Hyde Art Project!

They are so amazing and speak so many truths - when I have my own clinic I’m going to put all of them up on the walls.  So beautiful!

Space Post
Space Post

11235456:

like please do yourself a favor and listen to channel orange. i usually don’t give a shit about music but please listen to me about this

Space Post

denali-winter:

thehatterslab:

transdimensionalboundaries:

dirtybetanerd:

kedreeva:

8bitrevolver:

This was meant to be a quick warm up, but it turned into a comic that I’ve wanted to draw for a while. This is something that is extremely important to me, and I appreciate it if you read it.

A while ago, I heard a story that broke my heart. A family went a cat shelter to adopt. The daughter fell in love with a 3-legged cat. The father straight up said “absolutely not”. Because he was missing a leg. That cat was that close to having a family that loved him, but the missing leg held him back. Why?!

Many people have the initial instinct of “nope” when they see an imperfect animal. I get it, but less-adoptable does NOT mean less loveable. 9 out of 10 people will choose a kitten over an adult cat. And those 10% that would get an adult cat often overlook “different” animals.

All I want people to do is be open to the idea of having a “different” pet in their lives. Choose the pet that you fall in love with, but at least give all of them a fair shot at winning your heart.

Don’t dismiss them, they deserve a loving home just as much as any other cat. They still purr, they still love a warm lap, they still play, they still love you. Trust me, next time you are in the market for a new kitty, just go over to that one cat that’s missing an eye and see what he’s all about!

Let me tell to you a thing.

This is Lenore. I first saw her in a little cage at the Petco I frequent (I used to take my parents’ dog in for puppy play time), and she looked like the grouchiest, old, crotchety cat in the world, and I fell instantly in love. She was cranky, she was anti-social, hanging out at the back of her cage. Her fur was matted because she wouldn’t let the groomers near her.

She was perfect.

But I didn’t have a place for her. I wasn’t living in my own space yet, and where I was, I wasn’t allowed cats. So I pressed my face to the bars of her cage and I promised that if no one had adopted her by the time I’d bought a house, I would come back for her.

I visited her every week for over six months while I looked for a house. At one point, they had to just shave her entire rear-end because the mats or fur were so bad. They told me she clawed the heck outta the groomer that did it, screamed the entire time, and spent the next two days growling at anyone that came near the cage.

A couple of weeks later, I closed on my house. I went back and I got an employee, and I said: “That one. I need that cat.”

They got the paperwork and the lady who ran the rescue that was bringing the cats in told me that Lenore (at the time, Lila) was 8 years old, had been owned by an elderly lady who had died, and brought in to a different rescue, who’d had her for six months on top of the time I’d been seeing her at Petco.

This kitty had been living in a 3x3’ cube for over a YEAR because she was older and “less adoptable.”

I signed the paperwork, put her in a cat carrier, and drove her to my new home. I had pretty much nothing; a bed, an old couch, a couple of bookcases, and a tank of mice I called “Cat TV”. I let her out of the carrier and onto my bed, and I told her “I told you I would come back for you when I had a place. It’s not much, but it’s yours too now.”

Lenore spent the next three days straight purring non-stop. She followed me around the house purring. Sat next to me purring. Slept next to me purring. Leaning into every touch, purring, purring, always purring. She still purrs if you so much as think about petting her. She’s amazing, and I love her.

So, you know, if you’re thinking about adopting, and you see a beast that others consider “less adoptable,” think about Lenore.

FUCKING IMPORTANT

The STORY THOUGH.

IM GONNA CRY

Talk about a happy ending ;_; brb hugging my adopted catbaby forever

Space Post
open rp

nymria:

duchessofwinnipeg:

nymria:

image

sloth seductively lifts up his cloak to show off his sweet, sweet curves. he is wearing scarlet red 9-inch stiletto heels. the colour accentuates his barf-green skin in a way that is almost appealing. the sight of it is quite arousing. how do you respond?

image

Nice try. Where’s my Seasonal Attack Pea, asshole?

sloth laughs in your face. “oh ho! jhudora, you want a seasonal attack pea, do you? well FIRST-“

he strips off his robe to reveal a really sexy bathing suit.

image

"you’ll have to beat me in a SWIMSUIT contest." sloth flexes his muscles, and winks at you. the sight is so painful it made a dinosaur in the ocean cry. "can’t beat this kind of hotness, now can you?"

Jhudora cackles.

"Fool! I don’t need a swimsuit to defeat you.”

Look at me!”

Space Post
open rp

nymria:

image

sloth seductively lifts up his cloak to show off his sweet, sweet curves. he is wearing scarlet red 9-inch stiletto heels. the colour accentuates his barf-green skin in a way that is almost appealing. the sight of it is quite arousing. how do you respond?

Nice try. Where’s my Seasonal Attack Pea, asshole?

Space Post

myhiphopmelody:

toblackgirls:

The BFI London Film Festival is nearly here! We’ve gone through the programme to find all the films starring women of colour. There are admittedly a lot more than we were expecting including Girlhood, Honeytrap and the much anticipated Dear White People.  

(left to right) 

1. Girlhood 

Céline Sciamma (Water Lilies, Tomboy) continues her exploration of the effects of social conventions on delicately forming female identities in her triumphant third film. Sixteen-year-old Marieme (Karidja Touré) must navigate not only the disruptive onset of womanhood, but also the inequalities of being black and living in the underprivileged suburbs of Paris. Excluded from school and in fear of her overbearing brother at home, Marieme escapes into the shielding environment of a girl gang. She renames herself ‘Vic’ for ‘Victory’ and gives up on asking for the things she wants and learns to just take them. Formally meticulous, the film is divided into four distinct segments in which Marieme changes her physical appearance to suit the different worlds she must navigate (school, home, street). Each transformation magnificently captures the heavy burden that visibility and image play in Marieme’s life, whilst Crystel Fournier’s stunning photography that favours a distinctive blue palette ensures that Marieme remains a defiantly vital presence on screen even while it appears she is disappearing from society’s view. The jubilant soundtrack infuses the film with vigour and passion, from the opening juddering electro-goth of Light Asylum’s ‘Dark Allies’ to a full length lip sync to Rhianna’s ‘Diamonds’. With Girlhood Sciamma flawlessly evokes the fragile resilience of youth.

2. My Friend Victoria 

Adapted from a story by Doris Lessing, My Friend Victoria is a complex, poignant portrait of two young black women in contemporary Paris. The film follows them from childhood into adulthood, with the older Fanny narrating the story of her friend and adoptive sister. Aged eight, Victoria spends a night in the home of a wealthy white family; years later, she encounters them again and her life is changed forever. As Fanny and Victoria’s destinies take them in separate directions, the drama offers a distinctly fresh take on racial identity in contemporary France – and on questions of class, privilege and blinkered liberal racism. Superbly acted by newcomers Guslagie Malanda and Nadia Moussa, along with veterans Mouchet and Greggory, My Friend Victoria sees Jean-Paul Civeyrac returning to the LFF after his poetic, elegant Young Girls in Black (2010). His follow-up is an acutely intelligent achievement by a director whose time has surely come.

3. Second Coming 

It’s a bold move to make your debut theatrical feature a modern day take on such a big theological ‘What If?’, and Debbie Tucker Green astonishes with this London-set drama, where the newest family member is neither expected nor biologically possible. Jax (Marshall) works in the welfare office, lives with tube-worker husband (Elba), and their sensitive, nature-loving son JJ who, on the cusp of manhood is constantly looking around him for cues on how to make this transition. It’s rare to see a woman on-screen who remains so taciturn in the face of inner turmoil and as Jax’s self-possession begins to frustrate her friends and family, the film ramps up the tension with Nadine Marshall’s performance creating one of the most unshakable characters in recent memory. Taking the ‘kitchen sink’ tradition of social realism to a fresh new place, it’s a film that lingers, and marks Green as an immediate new voice in British cinema.

4. Honeytrap 

Layla (Jessica Sula) is 15 and has been living in Trinidad. Returned to her estranged mother in Brixton, she is faced with settling into a new home and a new city with a fresh set of rules and codes. Unsupported by her mother and spitefully rejected by her female peers, she is drawn to the brooding Troy, who marks her as his ‘Trini princess’. When that fails, she takes solace in the friendship of Shaun, another admirer, but her desperate need for acceptance leads to a tragic betrayal of his kindness. Director Rebecca Johnson was inspired by real life cases and explores gang culture from a girl’s perspective. Moving beyond the headlines, Johnson gives us an intricately layered and rarely seen perspective – firmly located in the domain of a young girl becoming a woman in a hyper-masculine world. Sula’s performance here is flawless, perfectly capturing the agonising contradiction of Layla’s choice.

5. Appropriate Behaviour 

Shirin breaks up with Maxine, clutching only a strap-on dildo as she storms across Brooklyn. It’s hardly what polite society would deem appropriate behaviour – which is precisely what writer-director-star Desiree Akhavan sets out to challenge in her fearless feature debut. There isn’t an aspect of life that her protagonist, a twentysomething bisexual Iranian-American, can’t overcomplicate and sabotage, be it cultural, professional, sexual or emotional. Veering from desperate bed hopping to disastrous kindergarten moviemaking classes, Akhavan spares herself – and us – nothing of Shirin’s solipsistic neuroses. So it’s all the more impressive that her bracing honesty (‘You can’t keep playing the Persian card’ Maxine scolds) and deft, witty characterisations make for such engaging, empathetic company. The setting, subject and lack of inhibition virtually guarantee Lena Dunham (Girls) comparisons, but Akhavan’s ethnically and sexually specific search for identity onscreen marks out a topography and artistic voice very much her own.

6. Catch Me Daddy 

On the run from her traditional Pakistani family, 17-year-old Laila, along with her boyfriend Aaron, has fled her home for the imposing landscapes of the Yorkshire Moors. As the couple attempt to forge an anonymous existence, unbeknownst to them two groups of men are on their trail, intent on catching up with the young lovers and exacting a brutal punishment at the orders of Laila’s father. Working with famed cinematographer Robbie Ryan (Fish Tank, The Angel’s Share), who captures the vast expanses of the Pennines to stunningly ominous effect, and boasting a devastating central performance by newcomer Sameena Jabeen Ahmed, Daniel and Matthew Wolfe’s hugely impressive debut is a complex and challenging piece of work. In many ways evocative of a British social realist take on John Ford’s The Searchers, with a near-noirish sense of pessimism and bleakness, the film’s observations on family dynamics, race and class are both brutally nihilistic and poetically affecting.

7. August Winds 

The setting of this haunting debut feature from Gabriel Mascaro is a remote village on Brazil’s northeast coast. Shirley (Dandara de Morais), a young woman from the city, has moved there in order to look after her ageing grandmother. She starts dating Jeison (Geová Manoel dos Santos) and gains employment from a local farmer. Filming his actors and the landscape with an unhurried, watchful sensitivity that reflects his documentary background, Mascaro creates an atmospheric portrait of life in this remote community, in particular charting Shirley and Jeison’s heady romance with seductive sensuality. He also introduces a note of disquiet with the arrival of a researcher (played by the director himself) to record the sounds of the changing coastal winds. It also becomes apparent that the village is facing the devastating consequences of global warming. A melancholy and visually sumptuous reflection on a threatened way of life.

8.  Dear White People 

Trouble is brewing at prestigious Ivy League Winchester College. The sole black-only fraternity is to be diversified, to the disgust of firebrand campus DJ Sam White (caustic host of ‘Dear White People’). So when Sam accidentally becomes hall president and word spreads of a rival white college’s ‘African-American-themed party’, she and her fellow black students must reassess where they belong in an alleged ‘post-racial’ Obama nation. Whereas many films that tackle issues reduce their characters to mouthpieces, Justin Simien’s razor-sharp satire makes all his protagonists thrillingly nuanced and conflicted. Visually inventive (the fourth wall regularly takes a pummelling) yet controlled, it’s in the idea stakes that Simien really lets fly, nailing cultural preconceptions of all colours. Early Spike Lee comparisons – notable School Daze and Do The Right Thing – are inevitable and somewhat courted, but Simien passionately makes his own case for provocative, relevant filmmaking: we’ve gotta have it.

9. A Girl Walks Home Alone At Night 

In the deadbeat Iranian ghost town of Bad City, a lone female vampire stalks the streets at night searching for prey. One of the town’s residents is Arash, who through a series of events involving his junkie father, a prostitute and a drug-dealing pimp, encounters the enigmatic bloodsucker and an unlikely love story begins to unfold. Plot may well be secondary to the striking visual language of Ana Lily Amirpour’s arresting debut; its deliberately enigmatic narrative allowing for a superbly ambitious exercise in style and atmosphere. With its stark black and white photography, A Girl Walks Home Alone at Night is in many ways evocative of the works of Jim Jarmusch, although ironically it bears the strongest resemblance to his early masterwork Stranger than Paradise than it does his own recent vampire film Only Lovers Left Alive. But while Amirpour’s influences are clear, in her effortless blending of multiple genres and monochromatic evocation of a matriarchal underworld, her voice as a singular and exciting new talent is undeniable. If you only see one Iranian vampire western this year, make sure it’s this one.

10. Difret (TW: Rape) 

An affecting feature debut, Difret details the traumatic experience of an Ethiopian girl accused of killing a man who sexually abused her. On her way back home from school, 14-year-old Hirut (Tizita Hagere) is kidnapped by a gang of men and forced into marrying their leader Tadele. She is beaten and raped but manages to free herself, escaping with the rifle she uses to shoot her abductor. Arrested and charged with murder, local justice requires that Hirut is executed and then buried with her victim. However, on hearing about her case a courageous lawyer (Meron Getnet) decides to defend her – at great risk to her own career. Difret, which means ‘courage’ in Amharic, is a delicate yet impassioned story that offers empowerment and hope to countless women all over the world.

More films (not pictured): Beti and Amare, Self Made, War Book and Labour of Love

Tickets go on sale at 10am on Thursday 18th September. You can see the full listing (and any films we missed) as well as information about how to buy tickets on the BFI London FIlm Festival website

I want to see them all. 

Difret has so many different uses.

Difret can mean courage, being bold, having the audacity to do something etc. Another reason why I’m getting it tattooed on my arm.

Space Post
vasundharaa:

This is a resource post for all the Good White Person™s out there. You know, the ones who say things like “It’s not my fault I’m white! Don’t generalize white people!”, or “I’m appreciating your culture! You should be proud!”, or “Why do you hate all white people, look I’m a special snowflake who’s not racist give me an award for meeting the minimum requirements for being a decent human being”.Well, if you are actually interested in understanding racism and how it ties into cultural appropriation, please read instead of endlessly badgering PoCs on tumblr with your cliched, unoriginal arguments and repeating the same questions over and over.
On White Privilegeaka don’t blame me just because I’m white:
It’s Not My Fault I Was Born White: Basics of White Privilege x
Racial Divide x
Endless Examples of White Privilege x
You Cannot Know What It’s Like To Be A Racial Minority x
Intersectional Feminism x
White Privilege Does Not Mean White People Have Perfect Lives x
White Privilege and White Supremacy: A Presentation x
You Will Never Experience Racism x
Understanding White Privilege x
White Privilege and Double Standards x
Systematic White Ignorance x
The Invisibility of White Privilege x
The Luxury of White Privilege x 
White Privilege: The Harry Potter Analogy x
Privilege Denial Bingo x
Privilege and Cost x
Check Your Privilege 101 x
Whiteness x
Whiteness is Not A Culture x
White Privilege and Racism x
Deeply Embarrassed White People Talk About Race x
When White Anti Racists Talk About ~Their Struggle~ x
White Privilege As A System x
On Reverse Racism aka you are being racist against white people:
Are White People Racially Oppressed x
White People, the new Racial Minority x
People Don’t Value Pale Skin!! x
There Is No Such Thing As Reverse Racism x
Racism vs. Not Racism x
But White People Are Discriminated Against In Foreign Countries x
The Myth of Reverse Racism: Why Cracker is Not N**** x
Satire: A Step Wise Guide on Being Reverse Racist x
Racism Against White People vs. Racism Against POCs x
On Cultural Appropriationaka I’m just appreciating your culture:
The Basics x
Identifying Appropriation x
But When We Wear It … x
Why Can’t I Wear It (Hipster Headdresses) x
Not Yours x
If You Take The Bindi x
White People Do It Better x
Multiculturalism and Appropriation x
Cultural Appropriation and Portrayals In Print Media x
Diminishing the Cultural Significance of the Bindi x
The Cultural Appropriation Bingo x
Why We’re Fed Up of Your Responses x
Identities Are Not Costumes x
Hinduism And Appropriation x
Religion and Privilege x
Bindis Are Cool x
Exotic India x
What’s Wrong With Cultural Appropriation x
Racism, Bindis and Ganesh Tattoos x
BUT YOU’RE SPEAKING ENGLISH! x
Cultural Appropriation Trolls x
Guide to Being An Appropriating Douchefuck x
New Age ~Culture Mixing~ x
In case you’re tired of the prose, here’s poetry x
Why You Shouldn’t Wear A Bindi x
Appropriating and Sharing x
Our Culture is A Punchline Until It’s a Trend x
Homage Or Insult x
Tattoos and Appropriation x
Bollywood is Not Synonymous With Indian x
College Party Costumes and Stereotypes x
Dotheads x
Bindis and Racist Humour x
Hindu Iconography x 
Misuse of Hindu Iconography x
Your Appreciation Doesn’t Help Us x
Assorted Vials of White Tears and Miscellaneous Antidotesaka I can’t change that I’m white/not all whites are racist/we are all humans:
Unoriginal Arguments Refuted x
Quick Checklist: You Might Be Racist If x
Your Opinion Isn’t Necessary x
I’m Not Responsible For My Ancestors x
The Kumbayah Myth x
Proud to Be White x
Good White Person x
We Don’t Hate White People x
Brutality of Colonialism And Why You Can’t Tell Us To Forget the Past x
People Who Claim Not To See Race Are More Likely to Be Racist x
All Races are Beautiful Said the White Girl x 
Race Blindness Is A Luxury x
Well, You’re Racist For Calling Me Racist x
I’ve Read About Its Significance, I Know What It Means 
Angry Because Someone Called You Racist x
We’re Not All Like That x
People Only Care About This Trivial Shit On The Internet x
I Can’t Apologize for Being Born White, It’s Not My Fault x
Why Can’t You Tell Me What I’m Doing Wrong x
It’s Easy to Be Color Blind When You’re White x
A Diagrammatic Guide To White Tears x
Conversations I’m Sick Of Having With White People x
Why Do You Hate White People x
I’m Trying To Be Cultured x
Sisyphean Conundrum x
What is Your Problem x
We Are All Human, We All Bleed Red x
It’s Just A Bindi x
How Not To Respond To Accusations of Racism x
I’m Italian And 0.009% Native American x
What White People Think Racism Means: A Venn Diagram x
White Guilt x
White Pride!!!111!!! x
I Like *Insert Foreign Country* I Want To Live There x
You Have So Much Hate, Fighting Fire With Fire Won’t Help x
BooHoo, Don’t Call Me Racist x
Not Everything Ended With Your Ancestors x
The Racist Reaction x
I Don’t See Why That Is Racist x
Crummy Apologies x
Okay. I agree. I’ve been socially conditioned not to notice racism and recognize my privilege. What can I do?
Listen x
A Step Wise Guide x
I don’t care about this bullshit; you’re making a big deal out of nothing, go home and delete your blog:
The Clueless White Person Bus x

vasundharaa:

This is a resource post for all the Good White Persons out there. You know, the ones who say things like “It’s not my fault I’m white! Don’t generalize white people!”, or “I’m appreciating your culture! You should be proud!”, or “Why do you hate all white people, look I’m a special snowflake who’s not racist give me an award for meeting the minimum requirements for being a decent human being”.

Well, if you are actually interested in understanding racism and how it ties into cultural appropriation, please read instead of endlessly badgering PoCs on tumblr with your cliched, unoriginal arguments and repeating the same questions over and over.

On White Privilege
aka don’t blame me just because I’m white:

On Reverse Racism
aka you are being racist against white people:

On Cultural Appropriation
aka I’m just appreciating your culture:

Assorted Vials of White Tears and Miscellaneous Antidotes
aka I can’t change that I’m white/not all whites are racist/we are all humans:


Okay. I agree. I’ve been socially conditioned not to notice racism and recognize my privilege. What can I do?

I don’t care about this bullshit; you’re making a big deal out of nothing, go home and delete your blog: